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About The Artist

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I am a young artist in an Independent Study Mentorship class, and am studying studio art. I've studied Advanced Projects 2D, 3D and 4D at the School of the Art Institute of Chicago over the summer, and have hopes to obtain a future career as a professional artist or graphic designer. Last spring I was a state and gold seal winner at the Visual Arts Scholastic Event.

I've always been interested fine arts, however it was my enrollment in a physics class that led me on a quest to reconcile two unseemingly similar mediums: art and science. The two are not so different as one may think. Throughout history the artist has attempted to describe his world conceptually with visual mediums, just as the scientist attempts to explain conceptual theories in physical reality. As Leonard Shlain states: "Art anticipates scientific revisions of reality." Both are languages, both attempt to explain reality, and both are most certainly beautiful. This project focuses on building a bridge between art and science as two mediums of expression. The works will be shown at the Centro Cultural Atzlan building in the Deco District of San Antonio, Tx on May 4th, 2007.

CONTACT: teddyandmustard@yahoo.com

What's New

Final Show At the Centro Cultural Aztlan 1800 Fredericksburg Rd.

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Photo Sharing and Video Hosting at Photobucket

Photo Sharing and Video Hosting at Photobucket

Archives

Set 6- Style

Stamped: 9:29 PM

Set 6 was a turning point in series. Here I chose to reflect style and did so by painting in three major styles; impressionism, 60's pop art, and abstraction. I tried to choose three of the most popular and iconic art forms that would be most readily recognized by the pubilc. The abstract painting won with the highest number of bids at 4.

This dimension marks the point where I begin to get less technical and little more conceptual. This is a mixed blessing. Because the paintings are becoming increasingly complex and require some elevated thinking, I may need to take more time to complete them. Many of the previous paintings were so techincal they seemed like exercises, but now with such mechanical restraints like color and subject defined, I will need more time to contemplate bigger issues such as conceputalism, form and medium, that is, if the public approves...

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